{"id":2286,"date":"2020-03-09T11:05:00","date_gmt":"2020-03-09T10:05:00","guid":{"rendered":"https:\/\/www.voceorgano.be\/?page_id=2286"},"modified":"2020-03-09T11:05:00","modified_gmt":"2020-03-09T10:05:00","slug":"le-festival-voce-et-organo-2020","status":"publish","type":"page","link":"https:\/\/a2nm-hosting.com\/vo\/le-festival-voce-et-organo-2020\/","title":{"rendered":"Le Festival Voce et Organo 2020"},"content":{"rendered":"

[vc_row row_type=\u00a0\u00bbparallax\u00a0\u00bb parallax_content_width=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb full_screen_section_height=\u00a0\u00bbno\u00a0\u00bb section_height=\u00a0\u00bb500″][vc_column][rev_slider_vc alias=\u00a0\u00bbprog2020″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column][vc_empty_space][vc_column_text]<\/p>\n

Le Festival Voce et Organo 2020<\/h1>\n

AD MUSICAM POETICAM<\/h1>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

4 CONCERTS DANS 3 EGLISES !<\/strong><\/h2>\n

BRUXELLES:\u00a0 EGLISE ND DE LA CHAPELLE & EGLISE ND AU SABLON\u00a0<\/strong><\/h2>\n

ORP-LE-GRAND: EGLISE STS MARTIN ET ADELE\u00a0<\/strong><\/h2>\n

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La<\/em> th\u00e9matique du Festival Voce et Organo 2020 \u00e9voque le temps o\u00f9 les compositeurs et th\u00e9oriciens de la musique ont cherch\u00e9 \u00e0 faire \u00e9voluer cet art vers plus de po\u00e9sie, particuli\u00e8rement au XVI\u00e8me<\/sup> si\u00e8cle, o\u00f9 la polyphonie et le contrepoint ont \u00e9labor\u00e9 leurs principes, qui perdureront jusqu\u2019\u00e0 aujourd\u2019hui.<\/em><\/p>\n

\u00a0<\/em><\/p>\n

Cet art de la polyphonie sera brillamment repr\u00e9sent\u00e9 lors de cette saison, en particulier par Heinrich Sch\u00fctz, mais aussi par de nombreux compositeurs \u00e0 sa suite. Une g\u00e9n\u00e9ration qui am\u00e8nera l\u2019art du contrepoint au baroque, tant\u00f4t en lui adoucissant les lignes, tant\u00f4t en se permettant quelques exceptions aux r\u00e8gles, pour une expressivit\u00e9 plus po\u00e9tique et plus proche du sentiment.<\/em>[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb2424″ img_size=\u00a0\u00bblarge\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]>>> Merc<\/strong>redi 02 septembre 2020 – <\/strong>20h00 – EGLISE NOTRE DAME DE LA CHAPELLE – Bruxelles<\/strong><\/p>\n

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FLORILEGIUM<\/h1>\n

Matthias Weckmann (1616-1674)<\/h1>\n

 <\/p>\n

ENSEMBLE CONCERTO IMPERIALE<\/strong>, sous la direction de Fabien MOULAERT<\/strong>
\nEdward VANMARSENILLE, orgue<\/strong><\/p>\n

A travers ce programme de musique ancienne italienne et germanique, l\u00b4ensemble Concerto Imperiale<\/em> souhaite rendre hommage \u00e0 l\u00b4un des plus brillants compositeurs allemands du XVII\u00e8me si\u00e8cle : Matthias WECKMANN (1616-1674).\u00a0 Disciple du \u00ab p\u00e8re de la musique allemande \u00bb Heinrich SCH\u00dcTZ, WECKMANN a occup\u00e9 diff\u00e9rents postes importants, dont celui d\u00b4organiste de l\u00b4\u00e9glise Saint-Jacques \u00e0 Hamburg.<\/p>\n

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Avec<\/p>\n

Anna Maddalena GHIELMI, violon<\/p>\n

Luise MANSKE, dulciane<\/p>\n

Fabien MOULAERT, sacqueboute et direction<\/p>\n

Edward VANMARSENILLE, orgue<\/p>\n

 <\/p>\n

Sc\u00e9nographie et mise en lumi\u00e8re\u00a0: Jean DEFLANDRE[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb]<\/a>[vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column][vc_empty_space][vc_separator type=\u00a0\u00bbnormal\u00a0\u00bb][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]>>> Vendredi 4 septembre 2020 – 20h00 – EGLISE NOTRE DAME DE LA CHAPELLE – Bruxelles<\/strong><\/p>\n

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\u00ab\u00a0DIE HIMMEL ERZ\u00c4LHEN…\u00a0\u00bb<\/h1>\n

LES CIEUX RACONTENT…<\/h1>\n

Heinrich Sch\u00fctz et ses contemporains<\/h1>\n

 <\/p>\n

ENSEMBLE POLYHARMONIQUE<\/b><\/p>\n

Alexander SCHNEIDER, altus et direction<\/strong><\/p>\n

Arnaud VAN DE CAUTER, orgue<\/strong>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]Le deuxi\u00e8me concert de la saison est consacr\u00e9 \u00e0 l\u00b4une des \u0153uvres les plus significatives du compositeur allemand Heinrich SCH\u00dcTZ : la Geistliche Chormusik. Cette collection, publi\u00e9e en 1648 \u00e0 Dresde, est une s\u00e9rie de Motets spirituels \u00e0 5, 6 et 7 voix.\u00a0 L\u00b4ensemble Polyharmonique, sous la direction du contre-t\u00e9nor Alexander SCHNEIDER, propose une s\u00e9lection de quelques-unes des plus belles pages de cette musique chorale spirituelle.<\/em><\/p>\n

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Sc\u00e9nographie et mise en lumi\u00e8re\u00a0: Jean DEFLANDRE[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb]<\/a>[\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb2579″ img_size=\u00a0\u00bblarge\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][vc_column_text](c) Christian Palm[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_single_image image=\u00a0\u00bb1736″ img_size=\u00a0\u00bblarge\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column][vc_empty_space][vc_separator type=\u00a0\u00bbnormal\u00a0\u00bb][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb2436″ img_size=\u00a0\u00bblarge\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]>>> Dimanche 6 septembre 2020<\/strong> – 15<\/strong>h00 – EGLISE NOTRE DAME AU SABLON – Bruxelles<\/strong><\/p>\n

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L’ART DE LA RETHORIQUE<\/h1>\n

 <\/p>\n

LES MUSICIENS DE L’EGLISE NOTRE-DAME AU SABLON<\/b><\/p>\n

Arnaud VAN DE CAUTER, orgue<\/p>\n

Beno\u00eet MERNIER, orgue<\/p>\n

Roland SERVAIS, orgue<\/p>\n

Elise G\u00c4BELE, soprano<\/p>\n

Clara INGLESE, soprano<\/p>\n

Aveline MONNOYER, mezzo-soprano[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]De la musique ancienne \u00e0 la musique contemporaine, la rh\u00e9torique musicale n\u2019a cess\u00e9 de pr\u00e9occuper les compositeurs. En effet, \u00e0 l\u2019instar de la po\u00e9sie et de la prose, c\u2019est en allant plus loin que le sens premier du texte qu\u2019ils vont cr\u00e9er de v\u00e9ritable discours musicaux. Des termes comme exortium, narratio et d\u2019autres vont \u00eatre utilis\u00e9s dans la composition et l\u2019analyse musicale pour \u00e9laborer et d\u00e9crire le discours. Ce concert regroupant deux orgues, trois chanteuses et trois organistes, pr\u00e9sentera des \u0153uvres vocales et instrumentales allant des primitifs \u00e0 la musique contemporaine.\u00a0<\/em>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb]<\/a>[\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column][vc_empty_space][vc_separator type=\u00a0\u00bbnormal\u00a0\u00bb][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]>>> Vendredi 9 octobre 2020 – 20h00 – EGLISE STS MARTIN ET ADELE – ORP-LE-GRAND<\/strong><\/p>\n

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LUMINEUSES TENEBRES<\/h1>\n

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Ensemble CONVERSATIONS<\/b><\/p>\n

Aur\u00e9lie MOREELS, soprano<\/p>\n

Gilles THOMAS, alto<\/p>\n

Geoffrey DEGIVES, tenor<\/p>\n

Etienne DEBAISIEUX, basse<\/p>\n

Thomas DEPREZ, fl\u00fbte \u00e0 bec<\/p>\n

Beno\u00eet LAURENT, fl\u00fbte \u00e0 bec et hautbois<\/p>\n

Marie HAAG, violon<\/p>\n

Mathilde WOLFS, violoncelle<\/p>\n

Barbara H\u00dcNNINGER, viole de gambe<\/p>\n

Rebecca LEFEVRE, viole de gambe<\/p>\n

Marie-Anne DACHY, orgue continuo<\/p>\n

Pascale DOSSOGNE, orgue solo<\/strong><\/p>\n

 <\/p>\n

Sc\u00e9nographie et mise en lumi\u00e8re\u00a0: Jean DEFLANDRE[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]Le myst\u00e8re de l\u2019au-del\u00e0\u2026 Voil\u00e0 qui, de tous temps, a inspir\u00e9 de nombreux artistes.\u00a0 Dans l\u2019Allemagne luth\u00e9rienne du tournant du XVIII\u00e8me<\/sup> si\u00e8cle, TELEMANN et BACH mettent en musique les peurs et les doutes, mais \u00e9galement la s\u00e9r\u00e9nit\u00e9 des croyants \u00e0 l\u2019approche de la mort. R\u00e9confort pour leurs contemporains, ces \u0153uvres nous parlent encore, tant leur beaut\u00e9 ouvre le c\u0153ur et est intemporelle.<\/p>\n

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Cantate Du aber Daniel, gehe hin – G. Ph. TELEMANN<\/p>\n

Actus tragicus BWV 106 – J.S. BACH<\/p>\n

Pr\u00e9ludes \u00e0 l\u2019orgue de l\u2019\u00e9glise de Orp-le-Grand[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb]<\/a>[\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb2434″ img_size=\u00a0\u00bblarge\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_single_image image=\u00a0\u00bb2463″ img_size=\u00a0\u00bblarge\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb100px\u00a0\u00bb][vc_column_text]en collaboration avec le Centre culturel de Jodoigne & Orp-Jauche<\/em><\/p>\n

avec le soutien de l’Administration communale et de l’Office du Tourisme d’Orp-Jauche<\/em><\/p>\n

\"\" \u00a0\"\"[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column][vc_empty_space][vc_separator type=\u00a0\u00bbnormal\u00a0\u00bb][vc_empty_space][vc_column_text]<\/p>\n

Autre programmation Voce et Organo 2020<\/h1>\n

[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]<\/p>\n

VOYAGE D’ORGUE POUR ETUDIANTS<\/strong><\/h2>\n

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Le 30 juin 2020 – Allemagne<\/strong><\/p>\n

Organisation d\u2019un voyage d\u2019orgue pour les \u00e9tudiants du Conservatoire Royal de Li\u00e8ge ainsi que d\u2019autres Conservatoires<\/p>\n

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Avec Edward VANMARSENILLE, Fabien MOULAERT, Arnaud VAN DE CAUTER, organistes<\/p>\n

Orgues visit\u00e9s:<\/p>\n

Steinfeld, Basilika St. Potentinus \u2013 Balthasar K\u00f6nig-Orgel (1727)<\/p>\n

Schleiden, Schlosskirche St Philippus und Jakobus \u2013 K\u00f6nig-Orgel (1770)<\/p>\n

Eupen, atelier du facteur d\u2019orgues Guido Schumacher\u00a0: nouvel orgue pour Raelingen<\/p>\n

\u00a0<\/em><\/p>\n

Organisation\u00a0: Voce et Organo asbl et le Conservatoire Royal de Li\u00e8ge <\/a><\/em>[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb2499″ img_size=\u00a0\u00bblarge\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text](c) Thomas Hummel[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column][vc_empty_space][vc_separator type=\u00a0\u00bbnormal\u00a0\u00bb][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]<\/p>\n

International Summer Academy Alden Biesen – <\/strong>STAGE D’ORGUE ET D’INTEGRATION CORPORELLE A L’INSTRUMENT<\/strong><\/h2>\n

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du 10 au 15 ao\u00fbt 2020<\/b><\/p>\n

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Professeurs d\u2019orgue<\/u> :<\/p>\n

Arnaud VAN DE CAUTER, professeur au Conservatoire Royal de Li\u00e8ge et directeur artistique de l\u2019asbl Voce et Organo (B)<\/p>\n

Hans LEENDERS, professeur au Conservatoire de Maastricht (NL)<\/p>\n

Luc PONET, organiste et administrateur du Nationaal Instituut voor de Orgelkunst (B)<\/p>\n

Marcel VERHEGGEN, organiste \u00e0 Maastricht (NL).<\/p>\n

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S\u00e9ances-ateliers avec Arnaud Van de Cauter (Int\u00e9gration Corporelle \u00e0 l\u2019Instrument) et Philippe Libberecht (Tai-Chi & Qi Gong).
\nLes cours sont donn\u00e9s sur les orgues historiques de l\u2019Euregio : Bilzen, Tongres, Saint-Trond, Li\u00e8ge et Maastricht, un riche patrimoine instrumental, fiert\u00e9 de la \u00ab Principaut\u00e9 de Li\u00e8ge \u00bb.<\/span><\/p>\n

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Avec le soutien de Voce et Organo asbl<\/p>\n

Infos et inscriptions :\u00a0www.summeracademy-aldenbiesen.be<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Au programme<\/u> : Acad\u00e9mie de chant choral (musique baroque et musique contemporaine) – Orchestre baroque et musique de chambre (sur instruments baroques uniquement) – Acad\u00e9mie d’orgue\u00a0 et stage d\u2019int\u00e9gration corporelle \u00e0 l\u2019instrument \u2013 concerts – etc.<\/p>\n

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[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_single_image image=\u00a0\u00bb2446″ img_size=\u00a0\u00bblarge\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column][vc_empty_space][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row row_type=\u00a0\u00bbparallax\u00a0\u00bb parallax_content_width=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb full_screen_section_height=\u00a0\u00bbno\u00a0\u00bb section_height=\u00a0\u00bb500″][vc_column][rev_slider_vc alias=\u00a0\u00bbprog2020″][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column][vc_empty_space][vc_column_text] Le Festival Voce et Organo 2020 AD MUSICAM POETICAM [\/vc_column_text][vc_empty_space][vc_column_text] 4 CONCERTS DANS 3 EGLISES ! BRUXELLES:\u00a0 EGLISE ND DE LA CHAPELLE & EGLISE ND AU SABLON\u00a0 ORP-LE-GRAND: EGLISE STS MARTIN ET ADELE\u00a0   La th\u00e9matique du Festival Voce et […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-2286","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/a2nm-hosting.com\/vo\/wp-json\/wp\/v2\/pages\/2286","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/a2nm-hosting.com\/vo\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/a2nm-hosting.com\/vo\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/a2nm-hosting.com\/vo\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/a2nm-hosting.com\/vo\/wp-json\/wp\/v2\/comments?post=2286"}],"version-history":[{"count":0,"href":"https:\/\/a2nm-hosting.com\/vo\/wp-json\/wp\/v2\/pages\/2286\/revisions"}],"wp:attachment":[{"href":"https:\/\/a2nm-hosting.com\/vo\/wp-json\/wp\/v2\/media?parent=2286"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}