[vc_row row_type=\u00a0\u00bbparallax\u00a0\u00bb parallax_content_width=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image=\u00a0\u00bb3009″ full_screen_section_height=\u00a0\u00bbno\u00a0\u00bb section_height=\u00a0\u00bb500″][vc_column][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column][vc_empty_space][vc_column_text]<\/p>\n
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Sous la th\u00e9matique LUX VENETIAE, le Festival Voce et Organo 2022 met \u00e0 l\u2019honneur le grand compositeur Allemand Heinrich SCH\u00dcTZ (1585-1672), parfois appel\u00e9 \u00ab\u00a0le Monteverdi allemand\u00a0\u00bb, figure transitionnelle entre l’esth\u00e9tique de la Renaissance et la modernit\u00e9 baroque venue d’Italie.[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/4″][vc_column_text]07\/09\/2022 – 20h00<\/strong><\/p>\n BRUXELLES CLAIRE LEFILLI\u00c2TRE<\/strong><\/p>\n BENO\u00ceT MERNIER<\/strong>[\/vc_column_text][vc_empty_space]<\/a>[vc_empty_space height="16px"]<\/a>[\/vc_column][vc_column width="1\/4"][vc_column_text]09\/09\/2022 – 20h00<\/strong><\/p>\n BRUXELLES LE CHOEUR DE CHAMBRE DE NAMUR<\/strong><\/p>\n ARNAUD VAN DE CAUTER\u00a0<\/strong>[\/vc_column_text][vc_empty_space]<\/a>[vc_empty_space height="16px"]<\/a>[\/vc_column][vc_column width="1\/4"][vc_column_text]11\/09\/2022 – 16h00<\/strong><\/p>\n ORP-LE-GRAND HORTUS MUSICALIS<\/strong><\/p>\n JEAN-LUC IFFRIG\u00a0<\/strong>[\/vc_column_text][vc_empty_space]<\/a>[vc_empty_space height="16px"]<\/a>[\/vc_column][vc_column width="1\/4"][vc_column_text]14\/09\/2022 – 20h00<\/strong><\/p>\n BRUXELLES OLTREMONTANO<\/strong><\/p>\n LUC PONET\u00a0<\/strong>[\/vc_column_text][vc_empty_space]<\/a>[vc_empty_space height="16px"]<\/a>[\/vc_column][\/vc_row][vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="grid" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" z_index=""][vc_column][vc_empty_space][vc_separator type="normal"][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="grid" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" z_index=""][vc_column width="1\/2"][vc_single_image image="3025" img_size="350×350" alignment="center" style="vc_box_circle_2" onclick="link_image" qode_css_animation=""][vc_empty_space height="10px"][vc_single_image image="3023" img_size="350×350" alignment="center" style="vc_box_circle_2" onclick="link_image" qode_css_animation=""][vc_empty_space height="10px"][vc_empty_space height="10px"][\/vc_column][vc_column width="1\/2"][vc_column_text]>>> Mercredi 7<\/strong> septembre 2022<\/strong><\/p>\n 20h00 <\/strong><\/p>\n EGLISE NOTRE-DAME DE LA CHAPELLE <\/strong><\/p>\n Bruxelles<\/strong><\/p>\n <\/p>\n <\/p>\n Claire LEFILLI\u00c2TRE, soprano<\/strong><\/p>\n Beno\u00eet MERNIER, orgue<\/strong><\/p>\n <\/p>\n Oeuvres de Monteverdi, Grandi, Strozzi, Frescobaldi, Sch\u00fctz, Buxtehude, Tunder<\/em><\/p>\n En 1625, Leonardo Simonetti publie \u00e0 Venise un recueil intitul\u00e9 \u00ab\u00a0Ghirlanda sacra\u00a0\u00bb<\/em> qui reprend 44 motets dans le \u00ab\u00a0nuovo stile\u00a0\u00bb. Claudio Monteverdi est \u00e9videmment mis \u00e0 l\u2019honneur dans cette compilation au c\u00f4t\u00e9 de Dario Castello, Giovanni Picchi, Alessandro Grandi (et son c\u00e9l\u00e8bre \u00ab\u00a0Quam tu pulchra es<\/em>\u00a0\u00bb)\u2026<\/p>\n Le programme propos\u00e9 par les deux artistes fera donc la part belle \u00e0 la musique sacr\u00e9e v\u00e9nitienne et plus largement italienne (Monteverdi, Grandi, Strozzi, Frescobaldi\u2026) mais aussi tissera des liens avec la musique allemande inspir\u00e9e par ces grands ma\u00eetres (Sch\u00fctz, Buxtehude, Tunder\u2026) dans la perspective d\u2019une \u00e9coute renouvel\u00e9e gr\u00e2ce aussi \u00e0 des incursions dans le monde contemporain.<\/p>\n <\/p>\n Sc\u00e9nographie et mise en lumi\u00e8re\u00a0: Jean DEFLANDRE[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb]<\/a>[vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]<\/p>\n MEMBRES DE L’ASBL VOCE ET ORGANO : tarif pr\u00e9f\u00e9rentiel exclusivement\u00a0ici<\/a><\/strong>[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column][vc_empty_space][vc_separator type=\u00a0\u00bbnormal\u00a0\u00bb][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]>>> Vendredi 9 septembre 2022<\/strong><\/p>\n 20h00 <\/strong><\/p>\n EGLISE NOTRE-DAME DE LA CHAPELLE <\/strong><\/p>\n Bruxelles<\/strong><\/p>\n <\/p>\n <\/p>\n LE CHOEUR DE CHAMBRE DE NAMUR<\/b><\/p>\n Philippe FAVETTE, direction<\/strong><\/p>\n Arnaud VAN DE CAUTER, orgue<\/strong>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]Oeuvres de Sch\u00fctz, Gabrieli, Lassus, Froberger, Hassler<\/em><\/p>\n Le concert du 9 septembre est d\u00e9di\u00e9 aux \u0153uvres vocales d\u2019Heinrich Sch\u00fctz interpr\u00e9t\u00e9es par le Ch\u0153ur de Chambre de Namur sous la direction de Philippe Favette. Arnaud Van de Cauter accompagne le Ch\u0153ur de Chambre de Namur et interpr\u00e8te \u00e0 l\u2019orgue des \u0153uvres de compositeurs qui furent inspirateurs ou successeurs d\u2019Heinrich Sch\u00fctz.<\/p>\n Cet immense compositeur Allemand, d\u00e9c\u00e9d\u00e9 il y a 350 ans, est l\u2019une des figures majeures de la musique occidentale du XVII\u00e8me<\/sup> si\u00e8cle. Son \u0153uvre s\u2019inscrit dans la suite directe d\u2019une filiation qui trouve ses racines chez nous, en Flandre, pour se d\u00e9ployer au c\u0153ur de la Renaissance italienne (entre autre en la Basilique San Marco de Venise) et revenir ensuite essaimer en Allemagne, jusqu\u2019\u00e0 Johann Sebastian Bach, dernier et g\u00e9nial h\u00e9ritier de cette longue tradition de l\u2019art de la polyphonie vocale sacr\u00e9e.<\/p>\n <\/p>\n Sc\u00e9nographie et mise en lumi\u00e8re\u00a0: Jean DEFLANDRE[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb]<\/a>[vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]MEMBRES DE L’ASBL VOCE ET ORGANO : tarif pr\u00e9f\u00e9rentiel exclusivement\u00a0ici<\/a><\/strong>[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb3200″ img_size=\u00a0\u00bb350×350″ alignment=\u00a0\u00bbcenter\u00a0\u00bb style=\u00a0\u00bbvc_box_circle_2″ onclick=\u00a0\u00bblink_image\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_single_image image=\u00a0\u00bb1736″ img_size=\u00a0\u00bb350×350″ alignment=\u00a0\u00bbcenter\u00a0\u00bb style=\u00a0\u00bbvc_box_circle_2″ onclick=\u00a0\u00bblink_image\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column][vc_empty_space][vc_separator type=\u00a0\u00bbnormal\u00a0\u00bb][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb3154″ img_size=\u00a0\u00bbfull\u00a0\u00bb alignment=\u00a0\u00bbcenter\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]>>> Dimanche 11 septembre 2022<\/strong><\/p>\n 16<\/strong>h00 <\/strong><\/p>\n EGLISE SAINTS MARTIN ET ADELE – <\/strong>Orp-Le-Grand<\/strong><\/p>\n <\/p>\n <\/p>\n ENSEMBLE HORTUS MUSICALIS<\/strong><\/p>\n Laura PHELUT, mezzo-soprano<\/strong><\/p>\n B\u00e9atrice DUNOYER, soprano<\/strong><\/p>\n Jean-Luc IFFRIG, orgue et direction<\/strong>[\/vc_column_text][vc_empty_space height=\u00a0\u00bb40px\u00a0\u00bb][vc_column_text]Oeuvres de Kerkhoven, Van Noord, Roberday, Titelouze, Sch\u00fctz, Sweelinck, Frescobaldi, Monteverdi<\/em><\/p>\n Au XVII\u00e8me si\u00e8cle, les \u00e9changes culturels sont intenses. Les peintres, les musiciens voyagent beaucoup. Ils emm\u00e8nent avec eux leurs \u0153uvres, leurs savoir-faire, et partagent avec les musiciens qu’ils rencontrent. L\u2019Italie, consid\u00e9r\u00e9e alors comme le centre musical de l\u2019Europe, voit passer de nombreux musiciens attir\u00e9s par les id\u00e9es novatrices des grands ma\u00eetres tels que Monteverdi, Gabrieli, Frescobaldi\u2026<\/p>\n Avec l’apparition de la monodie accompagn\u00e9e, peu \u00e0 peu, la polyphonie traditionnelle tombe en d\u00e9su\u00e9tude. Sans dispara\u00eetre vraiment, elle cesse d’\u00eatre une priorit\u00e9 structurante du discours musical. D’autres richesses apparaissent, r\u00e9sultant de l’\u00e9mancipation tardive des param\u00e8tres tr\u00e8s longtemps n\u00e9glig\u00e9s : timbres et nuances dynamiques. Dans cet espace de transition, l’orgue joue un r\u00f4le moteur puisqu’il est \u00e0 la fois capable de jouer des polyphonies complexes mais aussi des m\u00e9lodies accompagn\u00e9es. L\u2019orgue d\u2019Orp-le-Grand, con\u00e7u dans l\u2019esth\u00e9tique franco-flamande, par la richesse de ses timbres et de son harmonisation, est un merveilleux t\u00e9moin de cet \u00e9lan novateur qui m\u00e8ne de la Renaissance au Baroque.[\/vc_column_text][vc_empty_space height=\u00a0\u00bb30px\u00a0\u00bb]<\/a>[vc_empty_space height=\u00a0\u00bb30px\u00a0\u00bb][vc_column_text]MEMBRES DE L’ASBL VOCE ET ORGANO : tarif pr\u00e9f\u00e9rentiel exclusivement\u00a0ici<\/a><\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column][vc_empty_space][vc_separator type=\u00a0\u00bbnormal\u00a0\u00bb][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]>>> Mercredi 14 septembre 2022<\/strong><\/p>\n 20h00 <\/strong><\/p>\n EGLISE NOTRE-DAME DE LA CHAPELLE<\/strong><\/p>\n Bruxelles <\/b><\/p>\n <\/p>\n <\/p>\n <\/p>\n ENSEMBLE OLTREMONTANO<\/b><\/p>\n Wim BECU, direction<\/strong><\/p>\n Luc PONET, orgue<\/strong><\/p>\n <\/p>\n Oeuvres de Isaac, Sch\u00fctz, Pierre de la Rue, Josquin des Prez, Gombert, Susato, Scheidt, Gabrieli, Ahle<\/em><\/p>\n L’histoire d’Absalon nous vient de l’Ancien Testament. La musique qui s\u2019en inspire illustre les lamentations du roi David sur la mort de son fils Absalon. L\u2019expression vocale ou instrumentale de la basse est centrale. Ce fil conducteur vous emm\u00e8ne sur les rives de la musique religieuse protestante allemande de la premi\u00e8re moiti\u00e9 du XVIIe si\u00e8cle avec basse, trombones et orgue.<\/p>\n <\/p>\n Sc\u00e9nographie et mise en lumi\u00e8re\u00a0: Jean DEFLANDRE[\/vc_column_text][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb]<\/a>[vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text]MEMBRES DE L’ASBL VOCE ET ORGANO : tarif pr\u00e9f\u00e9rentiel exclusivement\u00a0ici<\/a><\/strong>[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb3031″ img_size=\u00a0\u00bb350×350″ alignment=\u00a0\u00bbcenter\u00a0\u00bb style=\u00a0\u00bbvc_box_circle_2″ onclick=\u00a0\u00bblink_image\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_single_image image=\u00a0\u00bb3033″ img_size=\u00a0\u00bb350×350″ alignment=\u00a0\u00bbcenter\u00a0\u00bb style=\u00a0\u00bbvc_box_circle_2″ onclick=\u00a0\u00bblink_image\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb100px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_single_image image=\u00a0\u00bb3158″ img_size=\u00a0\u00bblarge\u00a0\u00bb alignment=\u00a0\u00bbcenter\u00a0\u00bb onclick=\u00a0\u00bblink_image\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":" [vc_row row_type=\u00a0\u00bbparallax\u00a0\u00bb parallax_content_width=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image=\u00a0\u00bb3009″ full_screen_section_height=\u00a0\u00bbno\u00a0\u00bb section_height=\u00a0\u00bb500″][vc_column][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbgrid\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column][vc_empty_space][vc_column_text] 2022: LUX VENETIAE [\/vc_column_text][vc_empty_space][vc_column_text] 2 EGLISES, 2 LIEUX D’EXCEPTION !\u00a0 BRUXELLES:\u00a0 EGLISE ND DE LA CHAPELLE\u00a0 ORP-LE-GRAND: EGLISE STS MARTIN ET ADELE [\/vc_column_text][vc_empty_space][vc_column_text] Sous la th\u00e9matique LUX VENETIAE, le Festival Voce et Organo 2022 met \u00e0 l\u2019honneur le grand compositeur […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-3006","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/a2nm-hosting.com\/vo\/wp-json\/wp\/v2\/pages\/3006","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/a2nm-hosting.com\/vo\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/a2nm-hosting.com\/vo\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/a2nm-hosting.com\/vo\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/a2nm-hosting.com\/vo\/wp-json\/wp\/v2\/comments?post=3006"}],"version-history":[{"count":0,"href":"https:\/\/a2nm-hosting.com\/vo\/wp-json\/wp\/v2\/pages\/3006\/revisions"}],"wp:attachment":[{"href":"https:\/\/a2nm-hosting.com\/vo\/wp-json\/wp\/v2\/media?parent=3006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nEglise ND de la Chapelle<\/p>\n
\nEglise ND de la Chapelle<\/p>\n
\nEglise Sts Martin et Ad\u00e8le<\/p>\n
\nEglise ND de la Chapelle<\/p>\nGHIRLANDE SACRE<\/h1>\n
LUX VENETIAE<\/h1>\n
LES VENTS DU SUD\u2026 SOUFFLENT VERS LE NORD<\/h1>\n
FILI MI ABSALON<\/h1>\n